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Late
Ustad Yunus Hussain Khan Sahab
"DARPAN"
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| TRADITION
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| One
of the leading vocalist and composer of Indian Music, Yunus
Hussain Khan belongs to the famous Agra Gharana.
The contribution of this Gharana to the continuity
of Classical Vocal Music of India, with a distinct style of its
own, is undisputed. The Agra Gharana originated
from Nohar Bani and its originator Sujan Khan, a Court Musician of Akbar and Contemporary of Miyan Tansen, was a Sufi singer of Chist-Sabri-Sufi
sect. Agra tradition of Nohar Bani has produced
a number of distinguished musicians like Bichitra Khan and
Surgayan Khan (Musicians of Akbar's Court) Saidl Shah and Vazir Khan Nohar (period of Jehangir
and Shahjahan) Sayyad Khan and Hasan Khan Nohar (reign of Aurangzeb) Shyam Rang
and Saras Rang (period of Shah Alam and Mohd. Shah).
The above musicians were followed by Sher Khan, Chagge Khuda Baksh, Miyan Natthan Khan, Bhaskar Bua Bakhle, Ustad Fayyaz Khan, Ustab Vilayat Hussain Khan, and S.N. Ratanjankar.
Teaching music as a curriculum in Universities and Academies in
India, is very recent. Previously, true to the traditions, training
in music both practical and theoretical was imparted in the various
families to musicians commonly known as Gharana.
These Universities and Academies produced most of the 'well-known
musicians today. Even now, talented students of music after graduating
from Universities, turn to these Gharanas to become
musicians. |
| MUSICIAN |
| Possessed
with superb Musicianship, Yunus Hussain Khan sings
Agra Gayaki in his own style; varied in music,
rich in ideas and full of colour. The ease with which he renders
the different forms of vocal performances matched with technical
excellence and aesthetic appeal reveals the depths of understanding
and skill of this musician, who delineates any RAGA,
whether common or rare and obsolete, in its purest form and character.
Indeed an exceptional achievement in the present day.
He
received intensive training from an early age from his illustrious
father the late Ustad Vilayat Hussain Khan (Court
Musician of the erstwhile Maharaja of Mysore and later Chief music
Advisor of A.I.R.) and other great masters like Ustad Fayyaz Khan and Ustad Azmat Hussain Khan Dilrang
of Atrauli Khurja Gharana. His innate talent for
music coupled with guidance and training under the great masters
has given him full command over the great heritage of Agra Gharana.
Besides
his own Gharanas Gayaki, Yunus Hussain Khan was
equally at home in presenting the Khayal Gayaki
of Atrauli Khurja Gharana of Dagar Nohar Bani which he had learnt and studied from his maternal
uncle, Ustad Azmat Hussain Khan. Yunus Hussain Khan
had rendered the different forms of Indian Music like Dhrupad Dhammar, Saadra Khayal, Tarana, Tappa and Thumri.
He had toured all over Europe and U.S.A. and Afghanistan. He had
also participated in "Holland Festival" and "India
Festival". He was featured in "National Programmes"
and "Sangeet Sammelans" of A.I.R
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| COMPOSER |
| A
composer of distinction, Yunus Hussain Khan had
to his credit innumerable compositions in a variety of common and
rare ragas under the "nom-de-plume" "Darpan".
Some of his melodic creations were Sujani Malhar, Hussaini Bhairav, Lalita Sohini, Jogwanti, Maluha Bihag, Nohartodi, Nav Bihag, Nut Deepak, Devyani, Bagesh-Rikaus. Before joining Universities,
he had been associated with A.I.R. as a Music Composer. Recently,
he had written and composed songs for the L.P. disc of 'International Year of the Child' which was released through the Ministry of Education.
He composed Dhammar and Chaturang for Kathak Kendra. During his
association with University of Delhi, he was Director, Composer
and Conductor of Sargam Choir, Delhi Youth Choral Group and his
own Darpan Choir. Yunus Hussain Khan specialized in composing Khayals
based on Sufish, for which he was recently invited
by European Countries. He had translated and composed Shelly's "Indian Serenacle". |
| MUSICOLOGIST
AND MUSIC EDUCATOR |
| As
a musicologist, YUNUS HUSSAIN KHAN had to his credit
many article features and papers on music, which were published and
presented in some of the following Symposiums and also recordings. |
| Classical
Music and Films |
Article
in Bangle |
KAL
KOKLI AND AKASHVANI |
| Story
of Khayal |
Article
in English |
Kalavidhi |
| Raga
family and Bilawal |
Recording |
SRA |
| Rare
Ragas |
Recording |
NCPA |
| Traditional
Music |
Recording |
UNESCO |
| Muslim
Religious Songs |
Recording |
SNA |
| Vrind |
Article |
Delhi
University |
| Ustad
Amir Khan |
Article |
Amir
Khan commomoration |
| Music
and Woman |
Article |
Kaladharni |
| Value
of musical traditions |
Paper |
SRA |
| TAAN |
Paper |
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| An
enquiry in the principle of Tala in the Development of Hindustani
Music |
Paper |
Robindra
Bharathi University |
| Music
as taught in Institutions |
Paper |
Goa
Music Seminar |
| Spiritual
Contribution of Amir Khusrau-Role of music in Sufism-Musical tradition
connected with Sufism |
Paper |
Presented
in Sufi music festival all over Europe in1981 |
| Khayal
and Sargam |
Paper |
Presented
in Sufi Centre of San Francisco in 1973 |
Journey
into musical Centuries |
Feature |
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